Haseena moin biography of mahatma

The news of Haseena Moin’s demise came as a shock to all those who grew up watching her plays, following her philosophy and her modern approach to life. She always essayed the smiling mother everyone wanted, the caring elder sister they never had or the best friend who was always there no matter what.

With pen in hand, she could make the audience laugh with her plays such as Kiran Kahani and Uncle Urfi in the ‘70s, and Ankahi, Tanhaiyaan and Dhoop Kinaray in the ‘80s, or pen serious dramas such as Aahat and Tansen in the early 1990s.

The playwright was considered way ahead of her times because of the way she both entertained and educated the audience, all at the same time.

Being an educationist was a part of her personality, but being a playwright was something she excelled at. Her heroines stood shoulder-to-shoulder to men, she was her own master who knew how to get the job done and mostly ended up in happily-ever-after endings (except for in Uncle Urfi).

Like Fatima Surayya Baji