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The Oxford Handbook of Demosthenes

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Serafim, Andreas. “Making the audience: ekphrasis and rhetorical strategy in Demosthenes 18 and 19”, Classical Quarterly 65 (2015) 96-108

Andreas Serafim

Classical Quarterly, 2015

More information: this article redefines the notion of ekphrasis as any account credited with the ability to bring images before one’s eyes, and shows that ekphrasis, when skillfully deployed as in Demosthenes 18 and 19, is a powerful weapon in the speaker’s arsenal.

Citations: (1) G. Westwood, “The Orator and the Ghosts: Performing the Past in Fourth-Century Athens”, in S. Papaioannou, A. Serafim, B. da Vela (eds.). The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric (Brill 2017, pp.

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  • 57, 63). (2) D. Spatharas, “The Mind’s Theatre”, in S. Papaioannou, A. Serafim, B. da Vela (eds.). The Theatre of Justice: Aspects of Performance in Greco-Roman Oratory and Rhetoric (Brill 2017, p. 205). (3) K. Kapparis, “Narrative and Perfor